I have a rule: I don’t do memes

•January 24, 2008 • 10 Comments

Well, it’s more of a guideline, really. Nick obliged his taggers by revealing eight things (actually I think he wrote about nine) that most people don’t know about him – and it was a really interesting read. Thanks Nick!

I’m nowhere near as interesting as he is, but he did tag me with a request to hear the “Why Goatlady” story, so here it is… minus the seven other things.

It’s simple really. I like goats. When I was younger, my family lived on 5 acres in a semi-rural area and we inherited a lovely milking goat named Megan-Morgan from some neighbours. Although originally named Morgan, these previous owners hadn’t thought that was an appropriate name for a nanny. The problem was she responded to both names, so they both stuck.

Here’s a photo of Megan with her twin kids, Butch and Cassidy (that’s one of my horses, Smelly Melly, in the background):

Megan-Morgan the goat

To get our poor nanny goat “serviced”, we took her in the back of a Mitsubishi starwagon to an Angora stud. On the way we got dinner at a McDonalds drive-through. Much predictable hilarity ensued.

I had to deliver one of the kids (nope, no idea which was which, but it was the one born second) because Megan was so exhausted after the first one she gave up halfway through pushing it out, and it’s little head was buried in the sand where it lay. I had to pull the little bugger out and break open the birth sac and pull some muck out of it’s mouth so it could breathe. I was all by myself at the time and pretty impressed with myself for managing with almost no animal husbandry experience. I still remember feeling its little heart beating frantically through its ribcage, all covered in slimy warm amniotic fluid.

The kids were cross-bred Angoras, and as they were both males they were unfortunately completely useless for anything except eating. To make things worse, because we didn’t bud their horns in time, they grew huge honking antlers which they mostly used to terrorize each other with. But because they were such pets and we were most definitely not farmers, we could never bring ourselves to give them over to the slaughterhouse. Eventually a somewhat crazy friend took them down to her farm as pets.

Being the lactose-intolerant member of the family, it was my responsibility to milk Megan-Morgan each night and while I’m sure my mum took on the duty many more times than she would have liked, I think I was pretty good at making sure I was home for that job each day (I also had to feed my horses) – not bad for a 14, 15 and 16 year old who had friends with cars!

We constantly had more milk than we could use, which meant the dog drank big bowls of it, all our friends and neighbours drank it, the freezer was full of it, and every now and then we’d try to make stuff out of it. Mum bought some culture once to make cheese, but accidentally used one that was designed for creating desserts… needless to say no one really wanted to try the pink feta! My brother and a family friend who lived with us at the time actually thought they were drinking cows milk… not knowing mum used to fill up the plastic bottles in the fridge each morning.

Eventually we moved back to the suburbs and Megan-Morgan went to live with some other lovely people on a farm.

Years later, knowing my nostalgia for our capricious friends, an ex-boyfriend brought me another dairy goat for a Christmas present. He came down from Pinjarra in the car with Kai, as this goat was called – sitting on her haunches in the back seat of our old LTD, with her front legs on either side of the centre console, looking with some concern out of the front window (especially when going down hills).

Kai the inner-city goat

The problem was, we lived in Mt Lawley at the time (a quite nice inner-city suburb for those not familiar with Perth). Although the garden was large and Kai spent most of her days on a long tether rope under a large shady tree with the garage for shelter – quite appropriate lodgings for a goat and a much nicer home the dairy farm she’d come from – the council disagreed. According to various archaic bylaws, in order to house a goat you needed a structure of particular dimensions (smaller than the area she had), with a concrete floor sloping at a particular angle toward a drain to catch waste. Which sounded stinky and unpleasant, and the last thing I would wish on any living creature.

After 12 months I gave up arguing with them and we gave her to a friend’s dad, who put her on his farm in Baldivis. He wanted to keep the property but his wife wanted to sell it, so he was thrilled when Kai – being a somewhat stroppy goat to start with, and having much less interaction with humans since living on this on this largely unoccupied farm – started chasing and headbutting potential purchasers who came to inspect the property.

So essentially, my nickname is Goatlady because, given enough space and without suitable sensible influences, I would quite happily become the Crazy Goat Lady of <insert location here>.

Judas Priest vs Iron Maiden: Choose Your Side

•January 19, 2008 • 118 Comments

This is part two of my blog series on metal appreciation. You can also Check out part 1 – Metal Appreciation 101: The Beginning.

Iron Maiden or Judas Priest. Most old-school metal fans prefer one or the other. Occasionally people will claim to like both equally, but just between you and me, they’re lying.

Up front disclosure: I fall on the Judas Priest side of the argument. I mean, the classic image of 80’s Iron Maiden that I always think of has Bruce Dickinson running around in bright patterned spandex pants and huge white sneakers:

Bruce Dickinson's ridiculous pants

Contrast that fashion disaster to Judas Priest front man Rob Halford:

Rob Halford

Sure, he’s gay. But he’s also tough. And cool. (And spiky). And that always appealed to me far more than Bruce’s sneakers, personally. I was first introduced to Priest through my best mate Gossy, who was in turn influenced by her older brother, who was somewhat of an early metal fan.

It cannot be denied that both bands have contributed an enormous amount to the history of metal. Going back to our big-arse genre diagram, Sam Dunn (remember him? check the first installment if you don’t) has grouped Iron Maiden into the “New Wave of British Heavy Metal” (1979-1983) group (affectionately known as NWOBHM by historians – and I’m serious) whereas Judas Priest have been put into “Power Metal” (1976-present). I’m a bit surprised by that – I usually think of Priest as being very much British New Wave – and although they are mentioned on both the NWOBHM Wikipedia entry and in the NWOBHM Encyclopedia (yes, of course there is one) they do not have a dedicated entry themselves, so I guess I stand corrected.

Anyhoo… while both bands have had on-again off-again careers, Judas Priest have been around the longest, so we’ll start with them. Judas Priest start to get interesting, in my opinion, with Killing Machine (released as Hell Bent For Leather in the US). This is when they got properly heavy and started the leather and studs thing. I had this on tape when I was younger and listened to it in my walkman (remember them?) constantly. Here’s Hell Bent For Leather, live, complete with onstage motorbike:

[YouTube=http://youtube.com/watch?v=KPajyfDm9J4]
YouTube – Judas Priest – Hell Bent For Leather

That album was followed up by British Steel in 1980, which is often considered their best work. Here’s Breaking The Law, which has a rather hilarious film clip:

[YouTube=http://youtube.com/watch?v=OYn5hxeFt10]
YouTube – Judas Priest Breaking The Law

I wouldn’t recommend holding up a bank using only guitars, even if you do have KK Downing and/or Glen Tipton with you.

From Screaming For Vengeance, Priest’s 8th studio album released in 1982, check out You Got Another Thing Coming:

[YouTube=http://youtube.com/watch?v=sr-rBAAfjjo]
YouTube – Judas Priest – You’ve Got Another Thing Comin’

Looking through YouTube, there’s so much I’d like to link to here, but I will try and limit myself. To wrap up the Judas Priest segment, I will include Turbo Lover from 1986’s Turbo, which is one of Gossy’s fave songs. There are some people who consider Turbo to be low point in Priest’s career, as it features synthesizers and is much more mainstream than their previous work. I dunno though – it’s Priest, isn’t it? You decide for yourself:

[YouTube=http://youtube.com/watch?v=Vm4KHx1Ymw0]
YouTube – Judas Priest

If you’re interested in Judas Priest, there’s two other episodes in the band’s history that you may want to read up about. Firstly there was the “subliminal messages” trial, where the parents of two boys who committed suicide sued Judas Priest in 1990, claiming the album Stained Class contained the subliminal message “do it”. The law suit was eventually dismissed, although not before causing a considerable financial burden to the band. As Rob Halford pointed out during the trial, commanding fans to commit suicide would be counter-productive; if such a thing were possible, bands would be more likely to instruct listeners to “buy more records”.

Secondly, the era involving Tim “Ripper” Owens, who joined the band in 1996 after Halford left, is quite interesting. Owens was the singer in a Judas Priest tribute band called British Steel – and his transition to the “real thing” was the inspiration for the film Rock Star, although the details differed quite a bit in the final version of the movie. It’s not a bad flick, either.

Judas Priest have continued to release good albums since the “classic period” that I’ve outlined here – for example, 1990’s Painkiller was particularly well received. A new Priest album is set for release in 2008: titled Nostradamus, it is apparently a concept album based around the prophet of the same name

Onto Iron Maiden. Their early history is confusing – they went through a number of singers and guitarists (I think) before settling on a mostly stable lineup (I think). You’re free to try to untangle the Wikipedia entry yourselves.

1982’s Number of the Beast, their third album and first international success, was the first to feature current vocalist Bruce Dickinson. From that release, here’s the title track:

[YouTube=http://youtube.com/watch?v=icAzyx8EsKU]
YouTube – Iron Maiden – Number of the beast

Another classic is Run to the Hills. I dunno about the video clip for this one:

[YouTube=http://youtube.com/watch?v=u5Snehl2bAk]
YouTube – Iron Maiden: Run to the Hills

Here’s a live clip for Flight of Icarus, from their next release, Piece of Mind from 1983:

[YouTube=http://youtube.com/watch?v=AkyAfXVpVrM]
YouTube – 4 – Iron Maiden – Flight Of Icarus

Their later albums – which were plentiful – get a bit weird, and to be honest I don’t know many fans who don’t prefer early 80’s Maiden to later Maiden. So I’ll leave you with one last clip, Aces High, from Powerslave:

[YouTube=http://youtube.com/watch?v=v69yX3qZUZQ]
YouTube – Iron Maiden – Aces High

So… Priest… Maiden… it’s up to you. As I mentioned at the beginning, you can claim to like both. But deep down you know you have a favourite: so let’s hear it in the comments. When MTV’s Headbanger’s Blog asked Who Rocks Harder?: Judas Priest or Iron Maiden? it was definitely Priest that got more comments. I know that’s who I picked.

I can’t finish without some more Priest, so how about this: Parental Guidance, the anthem of the 80’s. Sing it with me kids:

We don’t need no
no no no
parental guidance here

[YouTube=http://youtube.com/watch?v=AC8GnRStV-4]
YouTube – Judas Priest – Parental Guidance

Metal bands and smart marketing

•January 19, 2008 • 4 Comments

Amon Amarth

Amon Amarth started 2008 off right for us, with a blistering show at the Amplifier on January 5 (read my FasterLouder review here). Unfortunately as Qantas lost their luggage, their was no merch (and no drinking horns either, but I go into that in the review). Denied!

To make up for this bitter disappointment, Dave, Al and I decided we’d better order some T-shirts directly from their web site. While we were there, we grabbed one of their albums that we didn’t have either. A touch more expensive than Amazon, but hey: the band were brilliant live and we had a great time at the gig, so we’re happy to support them directly.

The package arrived this week and woo-hoo! The shirts are awesome, the CD is cool, and even cooler is the unexpected poster, signed 8×10, big sticker, and three demos discs from other bands on the label (including two hand-labeled CD-R’s) that were also in the package. Unfortunately there was some water damage to the poster (spray from the far northern seas that washed up over the longboat, I can only assume) but I’m thrilled to see a record company that understands how to turn fans into fanatics.

This kind of smart marketing is not an isolated incident – and one area where it looks like metal is ahead of the general curve. Arch Enemy have their own official ebay store where you can buy signed items directly from the band. Trent Reznor impressed everyone at the last Sydney gig by telling everyone to steal his album, and is now experimenting with the idea of “download and pay whatever you want” as pioneered by Radiohead. And metal boyband Linkin Park have just announced they’re giving fans an opportunity to buy a “digital souvenir package” with their tickets that includes an audio download of the concert they attend, mixed by their “official guy”. Which would be cool if you like Linkin Park, I guess.

Either way, it’s good to see. It should be obvious to everyone by now that the music industry has to change because it’s consumers have changed, and the more of this kind of innovation that goes on, the better it will be for the bands that I like.

No! You can’t have my Scrabulous!

•January 12, 2008 • 3 Comments

scrab

Apparently, Hasbro are trying to shut down Scrabulous, the online Scrabble application, for licence infringement – i.e. Scrabulous doesn’t have one.

I’m sure that Hasbro has a valid complaint, although as the Fortune article points out, there are plenty of other online Scrabble knock-offs that they aren’t going after. I dare say their decision to target Scrabulous has something to do with the Facebook application with 2.3 million active users.

I hope that some kind of deal gets worked out, because as a Scrabulous addict aficionado this would seriously impact my personal happiness on a day to day basis. I might have to start playing some other kind of online games. And who knows where that could lead πŸ™

The Art and Science of Headbanging

•January 8, 2008 • 4 Comments

I saw Amon Amarth last Saturday – that’s Viking-inspired death metal, for the uninitiated. It was the first show I’ve been to this year so of course I can say it’s the best show I’ve been to all year – but I tell you, everything else in 2008 is going to have to be pretty kick-arse to top the Vikings. It was very, very cool indeed. Here’s an example of the kind of show we were treated to. One of the commenters on this video says “amon amarth is more viking than the vikings were” which is pretty funny and more than likely true:

[YouTube=http://youtube.com/watch?v=_WSAaRp7sVM]
YouTube – Amon Amarth – Pursuit of Vikings

I was writing up my review for FasterLouder and discussing with Dave whether there was a technical term for the synchronised circular headbanging that the band had been excelling at. Dave felt that there was, but we couldn’t think what it would be – so of course, we consulted that oracle of all things, Wikipedia.

Well, turns out that not only is there an entry on headbanging in Wikipedia, it’s pretty goddamn funny. Here’s an excerpt from the section on styles of headbanding:

The up and down: the most common style, which involves shaking the head up and down. This style is demonstrated at the climax of the “Bohemian Rhapsody” scene in the movie Wayne’s World. It was also commonly used by the cartoon characters Beavis and Butt-head.

Sounds pretty simple, right? What about this one:

The hammer: a form of headbanging performed by Till Lindemann of Rammstein performed by semi-squatting and hitting the opposite knee of the hand you’re doing the hammer motion to, while moving your head side to side or up and down. The speed of the Hammer fist goes hand in hand with the drum beat.

Hmmmm, ok. How about this one:

The half body: Similar to the Full Body, the half body is a bizarre variation of the “up and down” where the performer keeps their head straight, but bends at the hips, usually in time with every second beat of the song. Usually the performer only bends to approximately a 45-degree angle, to maintain balance.

Got all that? Good!

Of course, once you’ve picked a style, you also need to pick a stance. From reading the descriptions I think this is the one that I personally tend to favour:

Standing with one leg in front and one behind, with the hands held together near the lower body. This style is often used in tight spaces or to alleviate cramp and maintain balance.

And then you put it all together:

Various styles are often mixed together according to taste and to the tempo and aggressiveness of the music. They can also be performed with eyes closed and/or in combination with hand gestures such as devil horns, singing, yelling, and lip syncing.

And air guitar. Don’t forget air guitar. I bet there’s an extremely hilarious Wikipedia entry on air guitar too, but it’s too late tonight kids πŸ™‚

Nine Inch Nails in Sydney, take two

•January 4, 2008 • Leave a Comment

nine inch nails

Here’s a post that’s been stuck in draft for a long time!

I think I told most people the story of going to Sydney to see Nine Inch Nails back in March. The short version is, we landed in Sydney, took a taxi to the airport, walked to the gig and was told it was canceled because Trent had lost his voice. Postponed actually, until September. So we spent the following day with a client in Sydney then flew home, disappointed.

Roll around September. Annoyingly, the concert was rescheduled to the 16th, which was close to the Web Directions conference but not quite close enough for me to stay in-between.

So, once again, we got in a plane, landed in Sydney, took a taxi to the hotel, got changed and walked to the gig. The first pleasant surprise was that Hordern Pavilion, the new venue, was adjacent to a bit of a shopping precinct with pubs, cafes and restaurants as well as a theatre. So we walked around for a bit, sat down and had a beer, then wandered in to see the support band, UK band White Rose Movement, play some 80’s inspired electro-pop – they were pretty good.

The tension built up. I started to really believe, finally, that Mr Reznor might actually make an appearance this time. And then – there was NIN.

nine inch nails

It’s hard to explain. I was there expecting a great show; what I got was closer to a religious experience. Trent Reznor is truly amazing. The evening went from Nine Inch Nails, industrial rock; to Nine Inch Nails, full-on metal; to Nine Inch Nails, electronic artists; – and back again.

Every song was something special – it’s hard to pick a highlight because there were just so many high points. The electronic section – where Trent and two other band members moved to the front and performed a series of pieces on keyboard and computer setups, in front of a massive LED screen – was pure spectacle, even if the actual music produced was less of the Nine Inch Nails I know and love.

nine inch nails

This was also the infamous show were Trent asked the audience if the inflated CD prices that he had been complaining about last time he was in the country had changed – and on hearing a definite no, told everyone to steal it and give it to their friends. I couldn’t help thinking that he sounded like a man trying to get out of recording deal – which was revealed to be pretty much the case just a few weeks later.

[YouTube=http://youtube.com/watch?v=-mm6rc7hcFE]
YouTube – Trent Reznor of NIN Says “Steal My Music”

So all in all, the two trips to Sydney – taking into account the two sets of airfares, accommodation, taxi fares and food – we ended up paying over $3000 to see Nine Inch Nails (or a bit more than double what the original outlay was going to be). Was it worth it? That’s a definite yes. Here’s my twitter status message, posted from my phone as we walked back to the hotel: trent reznor: all is forgiven. you are awesome. 

nine inch nails

Chilli saga: chipotles in Perth

•January 1, 2008 • 7 Comments

a chilli related entree, although not my actual chilli con carne itself I like my chilli, yes indeed.

I have my own chilli con carne recipe… it’s quite different from most other recipes I have seen. I’ve been recreating and refining it since high school, when we made a horrible version in Home Economics class. Pretty much everyone I feed it to likes it, so I like to think it’s a bit of a winner. The secret is that unlike other recipes, I don’t… actually, I’ll save that for a separate post!

Anyway, the main issue I have is finding chillis to put in it. We like it HOT. if I ever get around to explaining my method, one of the issues is that there is very little fat at all in the end product, so there’s nothing for the hot bits to stick to (that’s the highly scientific explanation, anyway). The red and green standard supermarket issue don’t cut it at all. Several times a year I manage to get fresh habaneros, which have awesome heat, and sometimes fresh jalapenos are available, which have great flavour. But fresh chillis need to be roasted and prepared and that’s a nuisance, although the end result is usually worth the effort.

A few months ago we went to the Station Street Markets at Subiaco and found a South American food stall. They have these awesome stuffed soft tortillas called pupusa – an El Salvadorian dish – and also sell some imported food, including canned chipotle chillis in adobo sauce. Chipotles are smoked jalapenos and the flavour is amazing, and there’s quite a bit of heat in these ones too. I put some in my chilli and the feedback from my various guinea pigs was overwhelmingly positive. Going back to dried and powdered chillis was not an option.

So last Friday, a request for chilli was put in, and in gathering ingredients I discovered that we were out of chipotles. Oh noes! Fortunately the Subiaco markets are open on Fridays, and seeing as we were on holidays we meandered off to get some.

Unfortunately our El Salvadorian friends were out of stock, so we had to eat as much pupusa as we could and try other avenues. I put the call out on Twitter and through the combined effort of some of the best minds in Perth, compiled a list of places to try. My Twitter feed goes out through Facebook, and a friend there saw my cry for help and directed me to a local producer of chilli products (including dried and preserved chipotles) – Karrimah Farm. I’m thrilled that there’s a local producer (and I heart the intarwebs, which bring me such knowledge regularly, very much indeed).

Despite all attempts – including driving out to Belmont to check out a shop there – we weren’t able to locate any of the Karrimah chipotles. After speaking on the phone to Heather, owner of Karrimah, I found out that they don’t sell well in a retail setting because most people don’t know what they are. However, all Karrimah products (and a number of other chilli products) are available online from Chilli Freaks, a West Australian site dedicated to all things chilli.

All this talk of chilli had me thinking about the Araluen Chilli Festival, which we’ve been to the last three years. This year it’s on the 8th and 9th of March. We will definitely be there sampling more awesome sauces!

Metal Appreciation 101: The Beginning

•December 31, 2007 • 16 Comments

Let’s face it, metal is a pretty big genre and there’s a LOT of history and even more bands. So for someone just discovering a taste for harder edged music – and I’m thinking of several someones in particular here, who will no doubt recognise themselves – it can be a bit daunting. This is the first of what will hopefully be a series of posts highlighting what I think is some essential listening – Metal Appreciation 101. I have no doubt that in the process of putting this guide together, I will discover some holes in my own CD collection which will need to be filled with eBay and Amazon.com purchases. Such is life.

Oh, and if you’re reading this and don’t agree with my choices, tough. But feel free to leave a comment anyway πŸ™‚

Metal: A Headbanger’s Journey is a fantastic starting point. I saw it at the movies – I think I scored some free tickets from Triple J – and have the DVD and the soundtrack. For the uninitiated, it’s a documentary by Canadian Anthropologist Sam Dunn that seeks to uncover what metal really is and why it’s loved by so many millions of people worldwide. It includes lots of history and Sam created some pretty comprehensive charts of the various sub-genres and how they kinda fit together. I’m gonna use his chart – a version is available on Wikipedia – as a starting point. First up: Early Metal.

In the beginning there was Black Sabbath. Sam Dunn’s chart lists Cream, Jimi Hendrix, Blue Cheer, Deep Purple, Led Zeppelin, MC5, Mountain, and The Stooges – but let’s face it: Cream, Deep Purple and Led Zeppelin conjure up images of 70’s stadium rock. Jimi Hendrix was for the free-love hippies. MC5 and the Stooges were early punk more than metal. Blue Cheer and Mountain are all but lost to history. But Black Sabbath – they were the first real heavy metal band. That was where it started: in the dingy back streets of Birmingham (I’ve been there and let me tell you, it’s not pretty).

The original “classic” Black Sabbath lineup includes Ozzy Osbourne on vocals. Paranoid is the classic song from their second, and probably best-known album, of the same name. I read/heard that this was one of the first music videos ever produced, if not the very first, although Wikipedia doesn’t back me up on that one. So let’s just say it might be.

[YouTube=http://youtube.com/watch?v=SRwwYWlbP2U]
YouTube – Black Sabbath Paranoid

Ozzy looks remarkably young and together, doesn’t he?

Black Sabbath has an interesting history which you can read about on Wikipedia if you’re feeling adventurous. If you’d like the short version, after Ozzy quit the band (after 10 odd years) in 1979, Ronnie James Dio got the job. Ronnie had been fronting Ritchie Blackmore’s (ex Deep Purple) Rainbow, an interesting band in itself – check out Man on a Silver Mountain.

[YouTube=http://youtube.com/watch?v=HFH36je9Hro]
YouTube – Rainbow Man On The Silver Mountain

The so-called “Dio Years” were chronicled in Black Sabbath’s 2007 release (called, funnily enough, “The Dio Years”) and that lineup toured the world under the name Heaven and Hell, the classic album from that era. I saw them in Perth, and had crappy seats (yes, as in sitting down seats) which was a real shame as the extremely awesome Down were playing support and I would have loved to be right down the front for that too (Down will be covered in a future installment, don’t panic).

Black Sabbath with Dio was very different from Black Sabbath with Ozzy, but both are awesome. Ronnie has a very distinctive vocal style – were he not so demonic and utterly, utterly metal, I’m sure he would have been an opera singer, cos he’s a little guy (as you’ll see from the documentary) but he has some enormous lungs. He also basically invented the horns. Neon Knights is representative of the Black Sabbath of that time.

[YouTube=http://youtube.com/watch?v=owN6nUL9ezA]
YouTube – Black Sabbath – Neon Knights (Dio)

After that, Sabbath got weird and went through so many lineup changes that there’s a whole Wikipedia page dedicated to the various band members. I’ll ignore all that and focus instead on what Ozzy and Dio did after they left – because both are noteworthy.

Ozzy had quite a solo career in the 80’s – before he started Ozzfest and became a reality TV icon (and by “he”, I mean Sharon did it in his name, cos he’s a legend but like her or hate her, she’s the marketing brains of that family). Here’s two of my faves, Shot in the Dark and The Ultimate Sin from the album The Ultimate Sin. The 80’s hair and fashion is particularly hot.

[YouTube=http://youtube.com/watch?v=PdMFwzgUXD0]
YouTube – Ozzy Osbourne. Shot in the Dark and Ultimate Sin LIVE

Ronnie James Dio also has a successful solo career – here’s the classic Holy Diver. It DOES NOT GET any more medieval than that. Ride the tiger, baby.

[YouTube=http://youtube.com/watch?v=bkysjcs5vFU]
YouTube – dio – holy diver

But in fact, one of my favourite Dio songs and one that is definitely underrated is Stand Up and Shout. Check it out.

[YouTube=http://youtube.com/watch?v=oxQyuDoFno0]
YouTube – Dio Stand up and Shout live 1986

So that’s it for installment one. Next up will be, I think, Iron Maiden and Judas Priest: Choose your side. Stay tuned. \m/

Christmas presents!

•December 31, 2007 • 1 Comment

kit

A long time ago, in a galaxy far far away, the goatlady was a drummer. Actually, she was a classical percussionist, but as you have all gathered by now, she’s somewhat of a metal fanatic so it’s inevitable that some of that would have crept in.

For various reasons, including but not limited to severe bouts of tendonitis, she quit over 10 years ago. Lately though, she’s been using wrist supports to combat the still recurring tendon ouchies (computers are a bastard for that kind of thing), and it’s been pretty successful so she’s been toying with the idea of doing some skin-beltin’.

Orright, enough of the third person crap. Dave picked up on my various musings and decided to surprise me with a drum kit for Christmas. Yay! Dave is the best finder of Christmas and birthday presents EVER. I was totally surprised – also because the boxes under the tree were big, but didn’t look anywhere big enough to house an entire drum kit. They’re clever with the packing these days.

Of course, as soon as I got it I started messing with it. First thing was the kick pedal – the standard one was snapping back and hitting me on the top of the foot (being a heels up player) and only a limited range of adjustments were possible. We went to Kosmic (it’s the after Christmas sales, don’t you know), one thing led to another and before I knew it I was taking home a Tama “Iron Cobra” double kick pedal.

So now, as well as trying to get back the chops I had 10 years ago, I’m also trying to pick up a completely new skill – double bass drum pedal technique. It’s going well, though slowly so far.

I will keep you all posted!

Noisiest Aussie Bloggers

•July 18, 2007 • 6 Comments

buggerall

Who believes I’m the 313th, 326th and 344th noisiest blogger in Australia?

Well, Jon Yau, the dude behind AustralianBlogs.com.au does, according to his Winter 07 “State of the Australian Blogs-osphere” post. He admits his methodology is a bit dodgy but it’s all good fun.

Notably above me is the always mouth-watering Abstract Gourmet at 112 AND 113, Simone’s fabulous Enjoy Perth at 145, and Wordish Krissy’s Too Askew at 293. All interesting reads and not all techy stuff either.