A Pale Horse Named Death

•May 14, 2013 • 4 Comments

APHND-Photo-Credit-Candy-Lust

When Sal Abruscato started his own thang in the form of A Pale Horse Named Death back in 2010, I was on board early. Invisible Oranges was, I believe, the first place I heard about the former Type O Negative and Life Of Agony drummer’s foray into the frontman spot and I have a signed copy of the debut album And Hell Will Follow Me, ordered direct from the band before they received a US distribution deal, to show for it. It’s soulful, harrowing, heavy shit and I loved it. Everyone keeps coming up with the “Type O Negative crossed with Alice In Chains” comparison and it sticks because it’s true – but APHND can stand on it’s own four hooves, no doubt about that.

This month – in just a week, in fact, the new album Lay My Soul To Waste will be released. I interviewed Sal for Metal Underground about the new album last week and based on his responses and the three tracks I have heard so far I think it’s going to be really good. Two are embedded below, and the third premiered today on that bastion of metal hipsterism MetalSucks.

It’s been a while since I’ve been this excited about experiencing something that I know will be slit-your-wrists depressing.

Killer By Night:

Shallow Grave:

Unqualified Reviews: Rotten Sound, Species At War (EP)

•January 5, 2013 • Leave a Comment

Rotten Sound - pissed-off Fnns.

Grind. It’s designed to be short, fast, furious, in your face. It’s designed to be obnoxious, abrasive, and to piss people off. I’m not really a grindcore fan, but there are a number of grind/deathgrind bands that I like, often because I’ve seen them live and they kick arse: Napalm Death, Carcass, Brujeria, Nasum, Brutal Truth, Cattle Decapitation, etc.

I decided that I would try to listen to every promo that came past me this year and at least try to get some idea of the flavour of it. Not planning full, in-depth reviews or anything like that, just trying to get an inclination. I missed far too much good music in 2012. So naturally the first two promos that Relapse sling my way are grindcore releases. It’s as if this universe is slapping me down for having a thought that was almost like a New Year’s Resolution. Fuck that. In the ear.

So up front, full disclaimer: I am not properly educated about grindcore and therefore not qualified to review this release.

Congratulations, Rotten Sound. The first four seconds of Cause, the first track from your Species At War EP, had me frantically lunging for the volume knob. The sound you manage to produce – reminiscent of something metal frantically trying to get out of a washing machine – is truly special.

At least, with six acts of aural rape lasting just over 8 minutes, the ordeal is mercifully short.

I am not arrogant: I acknowledge this is music that isn’t made for me. If you’re a grind fan, this is probably your kind of thing. The guitar sound is particularly grating, and the Finnish lads in the band sound rather pissed off. I listened to it twice. It might be a bit of Stockholm Syndrome but I started to appreciate it more the second time around. The playing is pretty tight.

Conclusion: Probably good for a grindcore release, but will not be joining my permanent listening rotation. Released January 18th-22nd, depending on where you are in the world, on Relapse Records. Official Site

Can MySpace’s stinking corpse be resurrected?

•October 6, 2012 • 1 Comment

when there's no more room in hell...

Image credit: Kelly Bailey

I’ve built web sites for a couple of my favourite independent metal bands – namely, Cauldron Black Ram and Nails of Imposition. When talking about their requirements in terms of social media, both bands were quick to stress that they wanted to be done with MySpace (MySpaz, MySuck, etc) once and for all, were reluctantly using Facebook even though the tools available for bands were limited, and were embracing Bandcamp – which, although great for streaming music and allowing digital purchases, is no replacement for a full web site.

Being a web developer by trade, it’s always been my position that every band/business/individual should have their own web site that they fully control, instead of relying on a profile on a third party site which almost certainly has company profit and not the user’s best interest at heart. This was borne out when MySpace turned to MySuck, and again every time Facebook changes some minor aspect of how the site operates resulting in tiresome panicked status updates pointlessly urging mass user exodus or hollow threats of “facebook suicide”. Yeah, we all have those “friends”.

That’s not to say that profiles on social media sites are not useful – in most cases fantastic, and in some even essential – for bands. At the moment I would not recommend that a band didn’t have at least a Bandcamp and Facebook profile, and quite possibly profiles on Twitter, YouTube, LastFM, ReverbNation, and yes, even MySpaz, in addition to their own dedicated web site and mailing list.

And just like you never know when a service is going to go south, there’s also the possibility that one that has been discounted will rise, zombie-like, from the grave. It looks like this might – maybe, possibly, hopefully? – be the case with MySpace. The service’s history is interesting – it started out small, got stupidly popular, sold for a gazillion US $580 million to one of the largest media companies inthe world, who managed to completely destroy all credibility it ever had before offloading it for a mere US $35 million just five years later. I don’t know about you, but those numbers are so stupidly staggeringly huge that they have almost no meaning at all to me. There must have been some serious incompetence going on there.

But it turns out that the new owners – one of whom is pop pretty boy Justin Timberlake – have a plan, man. A completely new MySpace is in private beta and the video that they have released looks pretty interesting, if you can imagine replacing all the crap music with appropriately brutal alternatives (maybe turn the sound down before watching). Check it out below:

There’s also a vaguely interesting interview in Wired with “TV music supervisor Scott Vener” who is the “curator” of the new MySpace, whatever that actually means.

While it’s tempting to dismiss anything they do as “too little, too late” I think that as yet, there is still no great platform for bands to promote their music, and so a definite opportunity exists. Facebook sometimes tries but being so singlemindedly focused on profit and annoyingly changeable, historically, means it just doesn’t do a good job. Bandcamp does one thing really well – streaming and sale of digital music – but it does only that one thing, and bands really need more. The other sites have their uses but there is no all-in-one solution.

Could MySpace pull it off? They certainly have nothing to lose. It will be interesting to watch.

Essential music geekiness: Songkick

•March 27, 2012 • 1 Comment

A friend introduced me to Songkick recently. I know, I know, I’m late to the party, everyone who is anyone has been using it forever.

If you’re also not clued in, Songkick is a web site (duh). Sign up and, enter the locations you are interested in and the artists you are interested in, and Songkick will email you when the stars have aligned and your favourite band is playing in your home city – or at least somewhere you can get to. Or you can cry at the gigs that you can’t go to. The concept is simple but it’s (almost) all that is needed.

The hardest part about the entire thing is finding all the bands that you’re interested in tracking. Over the past few months I’ve added 216, largely by entering a band I like, then clicking through to all the “related bands” that show up in the search results. It’s kind of addictive. Over the course of writing this post I clicked around the site and added another 8. That’s still a kinda low number though – a REAL geek would probably go through their music collection alphabetically and get systematic about it (I’ve pencilled that in for tomorrow). And for people who might be concerned that the more obscure and/or underground metal bands are not included, I’ve actually found it’s pretty good in that respect. The official line on the origin of the data is that “we currently index over 100 different sources including all the major ticket vendors, a plethora of smaller vendors, local listings, ArtistData and a whole bunch of others”. I understand that artists/managers can add their own gigs too.

Songkick has quite a few other features, like the ability to check off shows that you are going to or that you might go to. These dates are then assembled into a calendar for you, and you can feed this into Google Calendar or other ical-compatible apps. You can check off past gigs that you went to, and there are some fledgling social features, like the ability to see which other Songkick users are going to (or if it’s in the past, went to) particular shows.  It doesn’t go very far with the social integration however – it doesn’t let you “friend” other users or be notified when they’ve checked off shows, which seems like an obvious feature and surely one that is on the cards. I had a look through their FAQs and it seems that there were some more involved social features in the past, but Songkick has had to “simplify the site so that we can build things up again with a stronger foundation” so those features will presumably be coming back at some time in the future.

Top of my wish list, however, is an Android app. Sure, I can log into the web application on my phone but a full-featured mobile app would be very cool. There is an iPhone app but not being in that particular cult, I haven’t seen it and cannot comment on it. Good news again from Songkick support: as of four days ago, they assure users that they’re “working on it”.

So there you have it. Want to know what I’m up to? Songkick will tell you: http://www.songkick.com/users/goatladykay

Tried Songkick? Like it? Hate it? Leave a comment :)

Hellfest 2012: I don’t believe this

•February 6, 2012 • Leave a Comment

Hellfest 2011 - Mainstage 1
Photo by Stéfan

In the previous few years France’s Hellfest has pulled out some pretty amazing lineups. Last year was the first time I was able to go and I was very impressed with the experience overall : good organisation, pretty good location, campsite was a bit disorganised and showering facilities woefully inadequate but on the whole, very enjoyable. Of course I missed half the bands I wanted to see because I was dying of the flu, but that’s a whole other story.

 This year, however, things were looking quite dull. First announcement, second announcement… meh. The friends that I went with last time organised a villa with a private pool in Crete for a week instead. I eagerly booked in, imagining a week of ouzo and luxury, lying by the pool eating dolmades, long afternoon siestas. Also appalling NWOBHM music, but you can’t have everything.

But then, they went and did it again. The Hellfest organisers have released a final lineup that blows away most other festivals this year. They’ve added a whole other stage with just stoner and doom metal bands. Pulled out a death metal lineup and a black metal lineup that are both worthy of individual festivals. Megadeth as a headlining act. A dozen or so random bands that make me squeal in delight and a few more that make me groan and shake my head in disbelief and disgust.

Hellfest 2012 Lineup

In other words, I have to go.

I wasn’t going to. But now I don’t have any choice. I am a slave to the metal. Viva la Hellfest!

Germany’s thirst for power metal strikes again

•October 21, 2011 • Leave a Comment

Everything old in rock and metal is coming back, or at least that’s how it seems. The latest band to reform after a big final farewell event is Running Wild, who called it a day to much fanfare at Wacken 2009. They’re even recording a new album in April 2012, titled Shadowmaker.

Most people of non-European origin or residency probably won’t care at all about this. I’m not a fan myself (I can only tolerate small doses of that kind of music) but I think this shows just how massive and absolutely insatiable the German appetite for power metal is. Look at Accept – 30 years on and even without their original and much-loved singer they’re bigger and more popular than ever. Most non-German metalheads or those who have never witnessed a mainstream metal festival like Wacken would have trouble believing just how important the genre is to the Teutonic populace.

These guys are metal superstars, and most of the rest of the world doesn’t even know they exist.

Monster Magnet vinyl and rock star mystique

•October 19, 2011 • Leave a Comment

Last year I interviewed Dave Wyndorf of Monster Magnet. It was the second time I’d interviewed him, but for various reasons this interview has not yet seen the light of day. I will finish transcribing it and maybe even post it one day, but the most interesting part of the interview was when we discussed the issue of “rock star mystique” and the difficult that rock gods like Wyndorf now face in maintaining their god-like aura in this age of Facebook and Twitter and everyone wanting to know every last mundane detail about everything.

Dave has his own label with Monster Magnet guitarist Phil Caivano, focusing on short run limited edition vinyl releases. They’re releasing a limited edition vinyl EP with three reworked and re-imagined Monster Magnet tunes from Dopes To Infinity, their 1995 album.

Here’s the kicker though, and where I think Wyndorf and Co are working to make rock music a mystical, special experience again:  the Dopes EP goes on sale in November, but for the first month, you will only be able to buy a copy at a Monster Magnet show in Europe. Take that, internet!

I’m sure they would probably make more money if they released these songs on iTunes or sold the EP on CD and through their online store right away. But making it scarce makes it more coveted by obsessive compulsive collector fan. These kinds of releases will be popping up on eBay for years to come. This is how cult-like status builds.

The coolest part is that I will be going to at least one of those shows. Right now, I don’t even have a record player – but that’s not going to stop me from picking one up. I want to own a piece of the legend that is Monster Magnet.

 
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